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Author Topic: 19 Nocturne's The Dunwich Horror  (Read 4981 times)
Bob Lovecraft
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« Reply #90 on: December 05, 2011, 08:16:20 PM »

Very cool.

Bob
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If someone ever dares you to read the Necronomicon out loud... just say no.
JulieH
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« Reply #91 on: December 06, 2011, 08:26:26 AM »

Same with my current episode - it's an homage to Amicus horror anthology films...
And won't have a sequel, no matter how fun that might be.
LOL
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--Julie Hoverson
19 Nocturne Boulevard
(www.19nocturneboulevard.com)
Bob Lovecraft
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« Reply #92 on: December 06, 2011, 11:26:12 AM »

Did you ever get to develop the idea you had for the Shadow Over Innsmouth idea you were so excited about a while back?

Bob
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JulieH
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« Reply #93 on: December 06, 2011, 11:49:03 AM »

Not yet, but I wouldn't be putting it together until next October, anyway, so I'm letting it percolate. 
I can only manage a long piece like that once a year. 
MASSIVE time commitment...

If I'm lucky, I will have guest producers to do my work in April, and can take the month off to write.   
Otherwise, I'll just be fitting it in around other things.
Meanwhile, i write everything but that.

Oh, and Shunned House, which will be the first of the second round of Lovecraft 5 stories (after From Beyond, next month)
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--Julie Hoverson
19 Nocturne Boulevard
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Bob Lovecraft
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« Reply #94 on: December 06, 2011, 01:45:06 PM »

I love the Lovecraft 5 stories. Cudoes.

Bob
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old book
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« Reply #95 on: December 07, 2011, 12:25:10 PM »

Wicked cool!

About that Lovecraft paperback for American GIs, I found this by Roberth Bloch in an introduction to some Lovecraft collection. His introduction is called "Heritage of Horror" and I think the book is called something imaginative and risky like "H P. Lovecraft":

---------------------------------------------------------------------------------------------------------------------------

...

Lovecraft's work survived it all. It even survived Derleth's imitations of his style and subject matter, which he began writing in the forties. Derleth had won deserved praise for his "Solar Pons" pastiches, based on the Sherlock Holmes tales of Conan Doyle. But his pseudo-Lovecraft efforts were less convincing. Using a line or two from Lovecraft's commonplace book scarcely justified calling the total work a "posthumous collaboration." And when he abandoned this pretext his attempts to convey the essence of Lovecraft's style didn't come off; he sounded the notes but lost the music.

It was Derleth who constantly used the term "Cthulhu Mythos" to describe Lovecraft's cosmic concepts. Unfortunately, his own writing involved a distortion of its meaning that may have derived from his own status as a lapsed or lax Catholic. In any case, he divided Lovecraft's Great Old Ones into what in effect were the Good Guys and the Bad Guys, fighting over possession of the earth instead of the ranch. Some later imitators picked up on this, straying far from Lovecraftian logic.

But when considering Derleth's influence, one single fact remains all-important--he championed the revival of interest in Lovecraft's work. After Donald Wandrei's service in World War II his Arkham House activity was largely limited to editing Lovecraft's letters, eventually published in five volumes. Derleth, however, continued to keep the stories in print, reissuing portions of the original collections under other titles. When fantasy anthologies began to flourish, he sold one-time reprint rights to various stories, including those in public domain, and until his death in 1961 he claimed control of the literary estate. As early as 1945 he compiled a paperback Lovecraft collection for an Armed Services edition. Its unexpected popularity with a wide readership encouraged later reprinting efforts by other paperback publishers here and abroad. Gradually this continued exposure led to the formation of a new fandom, enthusiasts interested in every aspect of the man and his work. Following recognition on the part of foreign critics, Lovecraft--like his predecessor, Edgar Allan Poe--finally came to the attention of the American literary establishment.

...
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« Reply #96 on: December 28, 2011, 04:18:53 PM »

Didn't want to start a new discussion just yet, since I haven't even written my Innsmouth, but i found a perfect picture to work with for the cover art!!!

it's an old postcard (old enough to be out of copyright), that i got on ebay - doesn't this just scream the (less decayed) portion of town?

http://www.ebay.com/itm/120831983616?ssPageName=STRK:MEWNX:IT&_trksid=p3984.m1497.l2649

Happy motivation for me.
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--Julie Hoverson
19 Nocturne Boulevard
(www.19nocturneboulevard.com)
Bob Lovecraft
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« Reply #97 on: December 29, 2011, 08:41:44 AM »

Hey not bad. Can you photoshop some Deep One's in tall beavers walking down the street?

Bob
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JulieH
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« Reply #98 on: December 29, 2011, 10:56:43 AM »

I was thinking of morphing through the four episodes with fog rolling slowly in, as the "camera" gets closer to spooky, shadowy figures lurching through the mist.

I can probably manage that.
Smiley
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--Julie Hoverson
19 Nocturne Boulevard
(www.19nocturneboulevard.com)
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